Kevin Spacey tells Stephen Colbert why House of Cards makes for better viewing than the drama issuing daily from the ‘real’ White House. “I do believe we have better writers.”
Season five binge-watching begins May 30. “I have to say, I think we’ve never been more relevant.”
Earlier thoughts on the House of Cards opening credits… Not just some anodyne tour around the nation’s capital…. a sly, purposeful montage fit for the cunning Frank Underwood.
Best 90 seconds on TV.
Think the opening credits for House of Cards is just some anodyne tour around the nation’s capital? Not so.
One minute into the 90 second clip the camera pans desolate tracks. It’s night. All is still, the music foreboding. A locomotive blows through timed to a sudden guitar chord—sound and vision merged for a dramatic second before the tracks go empty again. The music pulses low and ominous.
Soon after a horn peels in martial tone, saluting the statue of General Grant high up on his horse. The horn and military man work in concert unifying sound and image.
The audio buzzes in hellish frenzy. The screen zeroes on a shadowy demon (the statue is Thales, a philosopher-electrician, not the devil but demonic nonetheless). Sound and vision subtly collude in these final seconds, producing certainty that what follows will be the cold calculations of evil minds, deceptions making an inhuman city a place of dread. Continue reading House of Cards, Sleight of Hand